Exhibitions

Current

Orla Barry

Shaved Rapunzel & La Petite Bergère Punk

23.06.24 > 03.11.24

As an artist and a shepherd, Orla Barry is between fields. From her daily life in the «world of sheep», she has learned her agricultural trade at the same time as pursuing her artistic practice.

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Ariane Loze

L’Archipel du moi

23.06.24 > 03.11.24

This exhibition brings together a dozen works produced over the past fifteen years, from Loze’s first silent videos to her latest film produced by the MACS.This body of work resonates with the keen sense of satire that characterizes Loze’s writing, whether in the form of haughty small talk, meaningless management speak, troubled introspective voices or incisive political treatises.

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Coming soon

Daniel Turner

Compresseur

15.12.24 > 06.04.25

For his first museum exhibition in Belgium, Daniel Turner has chosen an especially evocative site: the former prison in the Brussels municipality of Forest. Following its closure in 2022, Turner extensively documented the prison, conducted field recordings, and removed various materials that resonated with the impressions evoked by the carceral environment.

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Haim Steinbach

18.05.25 > 05.11.25

For his first solo exhibition in a museum in Belgium, Haim Steinbach presents a range of works over the course of his 40-year artistic practice. Among them he chose to include two important projects that he realised with Belgian art collectors: Display #31 – An Offering: Collectibles of Jan Hoet (1992), and 3 (2000), a display of three chairs, three cans of paint, and three paint brushes belonging to Herman Daled.

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Archives

Alec De Busschère

Memory Cache Collection 99

31.08.24 > 22.09.24

Annexed as an extra-mural project to the programming of MACS (Grand-Hornu), Alec De Busschère's installation ‘Memory Cache Collection 99’ presents a maze of images printed on large finely-woven veils freely suspended in the exhibition space.

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Lionel Estève

Les Saisons

12.11.23 > 12.05.24

Meticulous and subtle, colourful and light in form, Lionel Estève’s sculptural practice is also remarkable in its ability to respond intuitively to the constraints of exhibition spaces in terms of morphology, light and even atmosphere.

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